So I finally finished my second Firefly image that I started a while back. This one is more of a narrative depicting our favorite characters Mal and Zoey in all their Browncoat glory at the Battle of Serenity Valley. I used the same paintings of Zoey and Tracy and did a different version of Mal and this time I rendered the Independence logo as if it were a medal.
I think I scratched the Firefly itch for now...
I'll be at the Calgary Comic Expo this weekend at booth #1006 Please stop by and say hi!
Cheers
Mike
Wednesday, April 24, 2013
Friday, April 19, 2013
Painting Mal
Hey Gang,
Keeping in line with my recent Brown Coat Propaganda Poster image, I thought that I'd post up a
"How I Painted Mal" process article.
Malcolm Reynolds AKA Nathan Fillion is a pain in the butt to paint. The reason being is his features are very unique yet subtle. His nose and chin/jaw are very prominent yet difficult to get right. Needless to say, I've wasted many pages in my sketch book just trying to get it right and so far, this painting, I think, is my best attempt to date. You be the judge.
The process that I am outlining below is not neccesarily typical for me but in this instance I think it worked out. The intent was to give the image a poster feeling and how could a guy NOT be influenced by the great Drew Struzan? So ,I decided to emulate his technique some what and here is how I did it.
First off, I started with an under drawing. Some guys just launch straight into paint but I'm just not built that way. I like to think of the drawing stage as building the skeleton of the finished work. The more accurate that I can get this stage, the less guess work that I have to do later.
Next, I completed a monochromatic under painting over top of the drawing. This helps me to work out the basic values and forms as well as establishing a uniform tone to the whole piece. The Browncoats are always depicted as dirty and sandy so I chose to use a tan color for this stage.
On top of the under painting, I now go in with my digital airbrush and block in my colors. This is what I borrow from Mr Struzan as he is a master at this part of the process. He is a lot more subtle with the airbrush and chooses to rely more heavily on his drawing skills to refine the forms in his work. For me, I just wanted to quickly establish the overall color scheme.
Now we get into the fun and laborious part that some people call rendering. For this stage, I pretty much kept to my chalk brush and blocked in the forms being conscious of establishing the planes and over all tonal management. I'm particularly inspired by the Premier Coup method as championed by the great portraitist John Howard Sanden and I can't help but gravitate to using his methods at this stage. I confess that I initially intended to go " Full Struzan" on this piece and get down and dirty with pencil like mark making but this just felt more natural to me and more importantly, more consistent with the period poster look that I was going for.
This is the final stage. To achieve this, I spent a lot of time noodling around pushing pixels and further refining the image until I was satisfied with the final rendering. After that, I played around with some adjustment layers in photo shop and voila!
I hope that you found this article somewhat useful and please let me know if you have any comments or questions as I'm always happy to hear from you.
Cheers!
Keeping in line with my recent Brown Coat Propaganda Poster image, I thought that I'd post up a
"How I Painted Mal" process article.
Malcolm Reynolds AKA Nathan Fillion is a pain in the butt to paint. The reason being is his features are very unique yet subtle. His nose and chin/jaw are very prominent yet difficult to get right. Needless to say, I've wasted many pages in my sketch book just trying to get it right and so far, this painting, I think, is my best attempt to date. You be the judge.
The process that I am outlining below is not neccesarily typical for me but in this instance I think it worked out. The intent was to give the image a poster feeling and how could a guy NOT be influenced by the great Drew Struzan? So ,I decided to emulate his technique some what and here is how I did it.
First off, I started with an under drawing. Some guys just launch straight into paint but I'm just not built that way. I like to think of the drawing stage as building the skeleton of the finished work. The more accurate that I can get this stage, the less guess work that I have to do later.
Next, I completed a monochromatic under painting over top of the drawing. This helps me to work out the basic values and forms as well as establishing a uniform tone to the whole piece. The Browncoats are always depicted as dirty and sandy so I chose to use a tan color for this stage.
On top of the under painting, I now go in with my digital airbrush and block in my colors. This is what I borrow from Mr Struzan as he is a master at this part of the process. He is a lot more subtle with the airbrush and chooses to rely more heavily on his drawing skills to refine the forms in his work. For me, I just wanted to quickly establish the overall color scheme.
Now we get into the fun and laborious part that some people call rendering. For this stage, I pretty much kept to my chalk brush and blocked in the forms being conscious of establishing the planes and over all tonal management. I'm particularly inspired by the Premier Coup method as championed by the great portraitist John Howard Sanden and I can't help but gravitate to using his methods at this stage. I confess that I initially intended to go " Full Struzan" on this piece and get down and dirty with pencil like mark making but this just felt more natural to me and more importantly, more consistent with the period poster look that I was going for.
This is the final stage. To achieve this, I spent a lot of time noodling around pushing pixels and further refining the image until I was satisfied with the final rendering. After that, I played around with some adjustment layers in photo shop and voila!
I hope that you found this article somewhat useful and please let me know if you have any comments or questions as I'm always happy to hear from you.
Cheers!
Labels:
Browncoats,
Digital Painting,
Fan Art,
Firefly,
How To,
Mal,
Malcom Reynolds,
Mike Perry,
Serenity,
Tutorial
Brown Coat Recrutment Poster.
Hey all,
Today I am posting up a finished version of my Firefly/ Serenity "Browncoat" recruitment poster. Previously, I had posted up a link to just the drawing as a WIP on facebook and I got ripped for making a spelling error so here's hoping that I didn't make any more. lol ;)
Anyways, on to the piece.
I also have several variants besides the full color version and you can see those below.
Cheers!
For a more in depth article on my process for creating this image, please stop by my other blog The Daedalus Workshop Here
Today I am posting up a finished version of my Firefly/ Serenity "Browncoat" recruitment poster. Previously, I had posted up a link to just the drawing as a WIP on facebook and I got ripped for making a spelling error so here's hoping that I didn't make any more. lol ;)
Anyways, on to the piece.
Here are some up close images of the various character portraits.
Mal ( Nathan Fillion)
Zoey ( Gina Torres)
Tracy ( Johnathan M. Woodward)
I also have several variants besides the full color version and you can see those below.
Cheers!
For a more in depth article on my process for creating this image, please stop by my other blog The Daedalus Workshop Here
Labels:
Browncoats,
Fan Art,
Firefly,
Gina Torres,
Mal,
Malcolm Reynolds,
Mike Perry,
Nathan Fillion,
Overlanders,
Poster,
Propaganda,
Recruitment,
Sci Fi,
Serenity,
Tracy,
TV,
Zoey
Monday, April 15, 2013
Banshee made it into the Artbook
Good News to start the week.
My image "The Banshee of Newry" made it into this years Calgary Comic Expo art book!
Cheers!
My image "The Banshee of Newry" made it into this years Calgary Comic Expo art book!
Cheers!
Labels:
Banshee,
Black and White,
Calgary Comic Con,
Illustration,
Ireland,
Newry,
Pen and Ink
Tuesday, April 2, 2013
Can't Stop the Signal
Here we go with some Firefly/ Serenity Fan Art that I am working on and hoping to have completed for the upcoming Calgary Comic and Entertainment Expo. Keep your fingers crossed.
I whittled it down to 2 main ideas and both focus on the Browncoats. One image is intended to be more of a propaganda/ recruitment poster and the second image is intended to look more like a book cover/ movie poster. In a perfect world, I would create both but seeing as how time is short, I'll be lucky to complete one in time for the show.
Anyways, take a look and I'd love to hear your thoughts.
Cheers!
I whittled it down to 2 main ideas and both focus on the Browncoats. One image is intended to be more of a propaganda/ recruitment poster and the second image is intended to look more like a book cover/ movie poster. In a perfect world, I would create both but seeing as how time is short, I'll be lucky to complete one in time for the show.
Anyways, take a look and I'd love to hear your thoughts.
Cheers!
Labels:
Browncoats,
Calgary Comic Con,
Cover,
Fan Art,
Firefly,
Mal,
Mike Perry,
Mike Perry Art.com,
Poster,
Serenity,
Tracy,
Zoey
SPYS!
Hey There,
Today I am posting up a few quick spot illustrations that I recently did for Expeditious Retreat Press's upcoming secret agent themed game " Classified".
These are only two of many so stay tuned for more.
Cheers!
Today I am posting up a few quick spot illustrations that I recently did for Expeditious Retreat Press's upcoming secret agent themed game " Classified".
These are only two of many so stay tuned for more.
Cheers!
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